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Guitar Greats
by Univideit Gauitin
http://www.guitarsuniverse.com

No two guitar aficionados will be able to agree on the list
of guitar greats, but like so many lists, it can be fun to
try to make. What each considers greatness will vary too -
is it technical ability or some hard-to-define quality like
'soul'?

Many connoisseurs consider Robert Johnson, the blues
guitarist, great. He started as an average guitarist but
became great in a period of just one year. Many legends
thrived to explain such sudden burst of talent. Some gave a
Dr Faustus like theory that he had made a pact with the
Devil. His rivals and common people disbelieved his
explanation of practice and hard work for his newfound
talent.

The deal had been done, so the story goes, at a crossroads
somewhere in the Deep South. Johnson himself immortalized
the meetings, probably ironically, in songs like Crossroad
Blues and Me And The Devil Blues. These were some of the few
tracks he was able to record before his death in 1938 at the
tender age of 27. To this day no one knows if he was stabbed
or poisoned or if the devil himself came to claim what he
was owed.

A tragically young death isn't essential to become a guitar
great, but another man who makes most lists also died aged
only 28. Jimi Hendrix took guitar playing to an entire new
level of showmanship. But sometimes people remember the
antics - playing solos behind his back or with his teeth,
setting his guitar on fire (an idea which owes a lot to
Jerry Lee Lewis) - and forget how fantastic he was as a
musician.

Hendrix was a great innovator. Being left handed, he
re-strung his guitar upside down for ease of play. He had
all types of music in his bouquet like blues, rock or jazz.
His talent could be gauged from the fact that he gave live
concerts with support from just a bassist and drummer.

Like all legends, stories about Hedrix are legion. He was
famous for covering other bands songs in concert and on
record. Sometimes he would do his cover of a track before
the original band had managed to perform it live, as was the
case with the Beatles 'Sergeant Pepper's Lonely Heart's Club
Band'. Though he couldn't read or write musical notation,
it's said that a single listen to a new song was enough for
him to be able to play it. He is also one of a very small
number of musicians who earned the approval of the hardest
man to please in the history of popular music, Miles Davis.

The guitar player takes central stage in so many forms of
music that the guitar greats in most people's minds aren't
just rock or bluesmen. Jazz players like Django Rheinhardt,
classicists like John Williams, or flamenco guitarists like
Paco de Lucia feature on many lists. Is it any wonder no-one
can really agree?

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